ultraphat bassheavy peaktime techno smasher !!

one of the hottest tracks around!!feat. mademoiselle e.b. aka sophie alice baxter .. progressive mix by emp..

limited white label with heavy funky breaks action

the awaited long player by the mysterious detroit based producer. be quick

phreaky cut up funkin house

slamming clubby electro monster with remixes by joakim & thin white duke remix (aka jaques lu cont / zoot woman)

the track is based on the most popular song of the 80ies icon howard jones, who was very enthusiastic about their idea and had his voice recorded for their release. this record is being played preferably on a party to make the crowd on the dancefloor go crazy, just like previous milk & sugar productions let the sun shine and love is in the air

smashing latin house classixx

phat deep detroit / ambient traxx

brill phunkin old skool style acid / techno tracks

brill original styled disco house banger !!

4 track electro vinyl compilation !!!

slammin percussive filtered techno !! in the charts of chris liebing, marco bailey, technasia, adam beyer, ben sims,....

phat new remixes by james ruskin/bomb

sweet & nice sounding deep vocal house !! warm atmosphere !

excellent techno classix !

bootleg !! sos band vs depeche mode…percussive techno monster !! super limitiert !

excellent rockin chicago-id technotraxx / knarz style

pink vinyl with gatefold

pressed on blue-green vinyl

black vinyl

25th anniversary reissue of the debut album from common. the double vinyl release includes a bonus 7 inch.

limited edition of 1500 numbered copies on transparent 180 gram vinyl.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

sit down on this - dirty chair and please smoke a last cigarette with me. we re - walking around and i m looking into your face and you - give me just a smile . - alter ego is playing in the background from the turkish guy can ergun - a great spheric techno vinyl!

he is young, gifted and italian! corrado bucci is the latest star to enter the local talk family of house. he currently holds the a&r position at rebirth records where he also put out the beautiful *open your eyes* single last year. he previously also released on defected and has earned respect from people like gilles peterson, jimpster, dan curtin, agoria, x-press 2, ben westbeech and solomun to name just a few.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

omar s doesnt just deliver big words, but a huge album, too.

>i can see< by the oliverwho factory is the second release of german label couldnt care more (following stareaways - learn how to love me) and its just marvellous: the duo from detroit, who by the way runs the stunning label madd chaise inc. and recently released >galactic transit< on rush hour and >night lights< on planet e, delivers finest detroit tech deep house with a twist, that will make you wave your arms and scream on the dancefloor. while the basic track is voluminously wafting and rawly pushing forward vocalist shone tops it with her power- and soulful singing. both tracks are mastered straight to the point by a.o.s.. classic.

gadi mizrahis first ep embodies the kind of musical promiscuity that informs the parties and label output generated as one half of nycs infamous wolf+lamb duo. a languorous, supple pulse, before introducing a surprising degree of musicality and complexity-the nominal disco doesnt just reward frequent listens, it demands it-for such an effortlessly inviting work. all told, i can never get enough makes for a wild ride and a blindingly bright debut from mizrahi

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

clara hill, bekannt für ihre gefühlvolle stimme, präsentiert nach ihrem debut „restless times“ ihr zweites album und schafft es mit leichtigkeit ihre stimme mit tiefgehenden texten – mal melancholisch, mal euphorisch – und raffinierten beats einer erlesenen auswahl an producern, zu soul geladenen deep house und nujazz tracks zu verknüpfen. größter gewinn ist dabei auf jeden fall die gekonnte auswahl der producer, wie slope, vikter duplaix, atjazz, charles webster, georg levin und king britt. ein komplexes und reifes album mit gehörigen portionen an emotionen.

soul masterpiece

compiled by legendary producer arthur baker, “breakers revenge” is a near-definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970-1984.

white coloured vinyl, 2024 rsd edition

reissue, record store day 2024 10th anniversary edition

reissue, record store day 2024 edition

gatefold jacket, yellow, black & white quad vinyl, marketing sticker

limited tickled pink glass coloured double vinyl.

classic black double vinyl.

2024 first time vinyl release, 140g double vinyl, remastered audio with restored artwork

shelly y nueva generación was a cult spanish soul and garage band that left an indelible mark on the late 1960s music scene.

shelly y nueva generación was a cult spanish soul and garage band that left an indelible mark on the late 1960s music scene.

on 4x 180 gram ! 25th anniversary

yellow vinyl